Designer Erin Benach also looked to streetwear culture to dress Margot Robbie"s Harley Quinn and her "girl gang."

Pardon my very simple, if not nearly monosyllabic, review of the Margot Robbie-starring "Birds of Prey:" It's a badass, fun and super hot (but never male-gaze-y) ride. The same can also be said for the thrilling costumes by Erin Benach, who's previously covered high-concept style ("Neon Demon," "Drive"), character-driven historical drama ("Loving") and a retelling of an Old Hollywood classic ("A Star is Born," starring another red carpet icon Lady Gaga). 

Of course, the wardrobes in "Birds of Prey" serve to support the joyride of a story and the irresistible characters, from the titular character's technicolor fringe to Cassandra Cain's sporty, cool-kid gear. But it's clear that fashion played an influential part in the film both on-screen and behind-the-scenes. 

"I looked to street and current fashion because it seemed right for this film," Benach says over the phone. "I don't always do that, but I really felt it was a fun way to connect fans to these characters." (Plus, what's more relatable to viewers than a breakup with a toxic — in Harley Quinn's case, literal and figurative — partner?)


From left to right: Det. Renee Montoya (Rosie Perez), Huntress (Mary Elizabeth Winstead), Harley Quinn (Margot Robbie), Cassandra Cain (Ella Jay Basco) and Black Canary (Jurnee Smollett-Bell).

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Photo: Claudette Barius/DC Comics

The Joker-free movie centers on a recently-emancipated Harley trying to rediscover herself and find a vocational calling, which may or may not be legit. She crosses paths with an equally tough and determined group of women — each with their own distinctive styles, sartorial and combat-wise — who've run afoul of Gotham City underworld boss, Roman Sionis (a scenery-masticating Ewan McGregor preening in the jauntiest suits). Oh, and, Harley is never ever getting back with Joker again. 

"She really means it. There was just a feeling of female camaraderie, and that was the vibe of movie: the girl gang," says Benach. "It's coming from a place of fun, liberation, freedom and party — and Harley has to be a leader." 

The girl-gang principle ruled behind the camera, too, with co-producer Robbie, scriptwriter Christina Hodson and director Cathy Yan, the second woman after "Wonder Woman"'s Patty Jenkins (and first Asian American woman) to lead a DC movie. 

Below, Benach takes us through the diverse characters in "Birds of Prey" and their compelling costumes.


Harley Quinn (Margot Robbie)

During her requisite post-breakup bender at Roman's nightclub, Harley says she needs to "find new identity; a new me." But, she needs to stay true to herself — and the original source material. So Benach updated Harley's costumes with a mix of new and longstanding "motifs" and colors.

In a too-quick montage, Harley burns off steam as a roller derby bruiser. Benach incorporates her signature red and black palette and stars, but updated the look with flames blazing up the side panels. The costume designer compiled a mood board of "cool '70s-inspired" roller girl- and car racing-themed fashion editorials, including one of Cat McNeil in a wide-belted racing leotard from the April 2015 issue of Vogue Mexico, one featuring Luna Bijl in the March 2017 edition of Vogue Paris and the BB Dakota holiday 2015 lookbook. 

Harley's plastic raincoat (top) — with an explosion of banger-ready streamers and fringe — highlights another theme: shredded yellow and black police "caution" tape. "I saw crime scenes everywhere Harley went, from the path of destruction that she leaves — or maybe even encounters," explains Benach. "She doesn't care about police caution tape and things that are establishment." 


Benach envisioned a "crafty" Harley raiding Gotham's version of Party City then "DIY"-ing herself a "party jacket." 

"There was this inner child to Harley Quinn that we loved and loved to tap into," the costume designer says. "When Margot first told me about Harley, she said, 'You know, Harley can just walk down the street, stick her hand into the window of a store and take whatever she likes. We kind of thought about it in that way."

Repping Harley's pink and teal palette, Benach custom-built the coat, along with the personalized slouchy graphic tee, striped denim cut-offs with suspenders and velvet sports bra. But, her white booties, with a wedge heel (above) — ideal for hand-to-hand combat and shooting up Gotham PD HQ with her beanbag and confetti-packed "Fun Gun" — are by Isabel Marant. 

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"It was such a great party piece," says Benach, about Harley's Attico silver sequin sleeve and teal velvet back panel duster by Attico (right, with Black Canary, left).

Photo: Claudette Barius/DC Comics

Benach also custom-built all of Harley's jewelry, which led to the debut of her line, Billie Valentine, which features pieces inspired by and officially seen in "Birds of Prey." 

"I love how jewelry gives an extra layer of the character and one more connection in understanding who she is," she says of Harley's layered charms, which include Harlequin diamond shapes, a female empowerment symbol, a dog bone personalized with "Bruce" (the name of her pet hyena) and meds. "Because she's popping pills," says Benach.

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For the climactic battle with Roman and every thug in Gotham City, Harley dons a full-body jumpsuit, as oppose to impractical teeny hot pants. (See: "Suicide Squad"). As she wisely says, "Gotta protect the girls."

"She's pulling on her armor," says Benach, adding that it was the most challenging costume she designed for the movie. "It was taking this idea of a utilitarian jumpsuit — and knowing it would be good for stunts and protecting her legs — and Harley-ifying it." For the whimsical, fun house-ready element, she looked to Jeremy Scott's "playful" runway shows as an influence. "I also wanted it to be hot and fun and still fit in Harley's world," she adds.